Reconstruction and activation of the artistic heritage with audiovisual technology. Experience of Taí¼ll 1123
DOI:
https://doi.org/10.3145/epi.2014.sep.10Keywords:
Artistic heritage, Museums, Digital humanities, Audiovisual technology, Virtual reconstruction, Video mapping, Activation, Cultural dissemination, Taí¼ll 1123.Abstract
With the aim of preserving artistic heritage, in the past museums have removed paintings and furniture from the places they were created for. Over the decades the curators of these places have begun to request that these artistic works be returned, conscious of the significance that many of these works now have. Some institutions and museums have responded to these requests by providing copies of the original works. Traditionally these copies were handmade but now digital resources are used, such as audiovisual technology. The project Taí¼ll 1123 (Lleida, Spain) is an example of the use of these new tools for the benefit of the artistic heritage and its visitors.
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